Irene Martín Guillén
Specialty
Vocal technique
Education
PhD in Artistic, Literary and Cultural Studies from the Autonomous University of Madrid (UAM)
Master in Artistic, Literary and Cultural Studies from the Autonomous University of Madrid (UAM)
Degree in Textual Interpretation from the Royal School of Dramatic Art (RESAD)
Diploma in Speech Therapy from the Ramón Llull University (URL)
Graduate in History from the Complutense University of Madrid (UCM)
Career path
Vocal performer, actress, singer and therapist, consultant, teacher and voice researcher.
Develop dissemination work through your podcast Queering the Voice on La Casa Encendida Radio and collaborates on the program between two lights from RNE. In TAI, hosts the podcast Diverse Beings, linked to the Student Care and Attention Unit.
As a performer, his latest works stand out in Heroes o beasts, by Belenish Moreno-Gil and Óscar Escudero (Segura Music Festival), Vladimir Tchekov Retrospective: (Imperfect) Trilogy of Life, of the Co. Vladimir Tchekov (Corral de Comedias de Alcalá) or Elena Fortun, by María Folguera (National Dramatic Center).
As a creator, she participates in the +Dramas program of the National Dramatic Center with her project Market Songs. Develop the urban intervention project proclamations with the Madrid City Council (Music Festival in Segura) and Where can you scream? In solitary. Likewise, she advises and collaborates with international artists such as Olivia Plender.
Currently, she develops her research around vocal technique as a strategy used by various artists to question classification systems and categories such as gender.
He has participated in various congresses and meetings at the national and international level. Her participation in several editions of the Meeting of Colombian Theater Schools in Bogotá and the International Congress of Sound and Audiovisual Spaces UAM stands out, among others.
Subjects and workshops
MASTER AUDIOVISUAL INTERPRETATION OFFICER
Research Methodology
DEGREE IN PERFORMING ARTS AND AUDIOVISUAL INTERPRETATION
Vocal Technique I
BACHELOR'S DEGREE IN PERFORMING ARTS AND SCREEN ACTING
Vocal Technique I
Vocal Technique III
DIPLOMA IN MUSIC CREATION AND PRODUCTION
Sound Space Design for the Stage Environment
Research lines
Interdisciplinarity in vocal work. Vocal technique as a strategy for resilience and criticism of regulations. Intangible musical heritage - oral tradition.
Awards, mentions and recognitions
Maximum qualification -cum laude mention- for his doctoral thesis “Queering the Voice: techniques and technologies of the composer-performer”
Other merits
DAAD – Research grant (Freie Universität, Berlin)