Learn about the functions of one of the profiles most in demand by audiovisual platforms
Post-production coordination is a position of extreme responsibility and very transversal.
In this intensive course you will learn everything you need to work as a post-production coordinator and be able to deal with the day-to-day work of any project, whether fiction, documentary, a series or a feature film.
Why choose it
You will train with active professionals with extensive experience in the audiovisual industry.
You will learn all the phases of post-production coordination in a practical way.
Study Plan
I. CALENDAR
Creation of the calendar following the organic development of a real project.
In-depth work on the different variables that may occur and the possible options to save time, work on processes in parallel and/or duplicate teams.
Deliverys (4k, HDR, SDR, delivery formats, with color/without color).
Communication with the different departments: editing, sound, color, VFX, music, etc.
II. SCRIPT
The script from the point of view of the supervisor - coordinator.
Management and coordination of departments, work agreements and alternatives, assessment of needs and times.
III. BUDGET NEGOTIATION
Assessment of the budget allocation for post-production according to the requirements of the project.
Negotiation rounds.
Price range per day, week and project.
Adjustments
Limitations and ambitions.
IV. PRODUCTION: FILMING AND ASSEMBLY
Study of a real workflow.
Conflict resolution, coordination and team communication methods.
Rounds of changes for the approval of the masters.
V. SOFTWARE AND TECHNICAL KNOWLEDGE
Skills and technical knowledge necessary to be able to fully understand the implications of post-production coordination work, as well as the rest of the departments.
Difficulties and needs to be able to assess times and options.
Main softwares: AVID; DaVinci Resolve (dailies, QC, subtitling, deliveries, color).
Export of materials to the different departments.
Shoftgrid.
VI. THE CONFLICT
How to learn to survive in continuous conflict, trying at all times to prevent this from becoming a problem.
Assertiveness and teamwork.
VII. WHAT DO THEY EXPECT FROM YOU?
Focus resources and capabilities to make the most of them.
Talks with senior production officials to resolve doubts about what they expect from their production coordinator.
VIII. TRAILER. MARKETING. SUBTITLED/DUBBING
Material for the trailer.
Know what is being released worldwide to know how the way of working has changed and what dubbing studios need.
Marketing and calendar needs.
IX. WORKING WITH PLATFORMS AND THEIR NEEDS
The different ways of working of the platforms.
Documentation.
Deliveries.
Specific workflow.
How to include different needs in our workflow.
Academic Outlook
Teachers
Vicente Ruiz de León
Production manager (responsible for the film area) at User T38. Throughout his professional career, he has carried out various projects that have allowed him to compete in many festivals around the world. He has directed such renowned actors as Javier Gutiérrez (La isla mínima, Truman), Melani Olivares (Aida) or Santiago Molero (Águila roja).
Eloy Gazol
VFX coordinator, online supervisor, VFX artist and motion graphics. He currently works as Technical Director and VFX Artist at User T38.
Toni Gonzalez
Post-production coordinator and VFX supervisor in the third season of The Head (HBOMax).
Yolanda Hurtado
Sales & customer management at Deluxe Spain. He has worked on productions such as 30 monedas, La Veneno, La templanza, El olvido que seremos, Las chicas del cable and many others.
Nicolas Palacio
Post-production coordinator with more than 10 years of experience in both fiction and entertainment programs. He is currently a director at GH VIP 8.
More than 50 years training creators in a multidisciplinary artistic environment.
We are committed to research and innovation in arts: our teachers are seasoned professionals and we continually organize masterclasses and meetings with industry leaders. More than 30.000 alumni from more than 30 countries around the world. Agreements with more than 700 companies in the artistic and audiovisual sector. The Largest University Campus of the Arts in the cultural center of Madrid.
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