Map of studies
Master's Degree in Screen Acting
- ECTS – European Credit Transfer System
- OB – Mandatory
- FB – Basic training
- FBC – Common basic training
- FBR – Basic Branch Training
- PE – External internships
- RAC – Academic recognition of credits
- TFG – Final degree project
Subjects
Vocal tools applied to Screen Acting
Recognition of the importance of the voice as a basic tool for acting in film and television. Study of vocal technique and the elements that interfere with its mastery. Relationship between character and register. Work on accents. Fundamental vocal expression techniques for voice-over and dubbing. Markings and rhythm, volume, range of voice and diction.
- Credits: 6
- Character: OB
Physical tools applied to Screen Acting
Theoretical and practical research on the study of tools and transformation of expressive habits. Search for body alignment and correction of postural habits. Research into the unblocking of physical-psychic expression. Mobilization of the body allowing energy to flow. Integration of the three planes: physical, mental and emotional.
- Credits: 6
- Character: OB
Advanced Training
Improvement of audiovisual acting skills based on the exploration of self-image through acting coaching tools. Knowledge and understanding of the differences between stage and audiovisual acting. Approaching an audiovisual scene: analysis, rehearsal of realistic characters, filming on location and editing. Approaching auteur cinema and commercial cinema through watching films and conducting academic theoretical reflections.
- Credits: 6
- Character: OB
Screen Acting Techniques
Skills necessary to critically analyze and evaluate the skill and interpretive practice of the audiovisual actor or actress. Cognitive bases to contextualize mytho-historically the "acting" milestones in relation to filming/recording, in analytical comparison to the scenic praxis of the theatrical and performative director/actor.
- Credits: 9
- Character: OB
Milestones of Screen Acting
Development and enrichment of skills for critical analysis of the interpretive practice and skill of the interpreter. Theoretical and practical study of different modes of interpretation based on interpretive experiences throughout history, context examination and comparative analysis.
- Credits: 4,5
- Character: OB
Audiovisual and Cinematographic Research
Theoretical and experimental inquiry into audiovisual and cinematographic media. Training activities aimed at knowledge and identification of genres, formats and parameters related to audiovisual production (film and television direction, audiovisual performances, etc.).
- Credits: 4,5
- Character: OB
Idea Creation and Development Lab
Platform and space for research and creation based on collaborative experiences. Familiarization with work dynamics and tools, inquiry and creation for the development of personal projects: from the idea to the audiovisual market.
- Credits: 3
- Character: OB
Personal Branding
Discovery of a personal brand of its own and its positioning in the audiovisual industry. Development of personal brand optimization strategies based on the main media or channels where it connects with the audiovisual market. Planning and supervision of self-promotion materials that project the personal brand, especially the photobook and videobook. Reputation management.
- Credits: 6
- Character: OB
Research Methodology
Study and deepening of contemporary research models and methods in arts and humanities. Development from theory, research and artistic practice around texts on cultural production and research.
- Credits: 3
- Character: OB
end of work master
Completion of original, independent and personal work under the guidance of a teacher who will act as director, in which the knowledge and skills acquired during the degree are applied and developed, demonstrating that the competencies provided for in the study plan have been achieved.
- Credits: 12
- Character: OB