Plan of studies
Master in Production Management for Film and TV Series

Transversal content that aims to approach the most current trends in cinematography from a narrative and aesthetic perspective. Critical analysis of audiovisual works establishing interdisciplinary connections with other arts, authors and means of expression. Work on technical-philosophical concepts that help promote reflection and audiovisual creation.

Applied technologies. Custom design of templates, budget items, formal documents, equipment configuration, calendars, production design, production on set, production closure.

Analysis of the methodologies and work processes of the main departments involved in a production from the point of view of the professionals of the direction, camera and art departments themselves.

Analytical reading of the script from the knowledge of the structures of the fiction as well as the archetypes and generic anchors.

Intellectual property law and its essential implications in the creation and production of audiovisual works.

The figure of the executive producer in works of fiction and non-fiction. Relations with audiovisual entities and organizations. National and international co-production. Communication plans and strategies and management of agreements with large suppliers.

The production of TV series and its processes: production designs, work plans, project analysis, development phases, budgets, documentation, hiring, promotion and exploitation. Reference study of the transformations of the sector and the figure of the showrunner.

The production of advertising films from the general knowledge of the business. Processes, strategies and work methodologies of the advertising company, the advertising agency and the production company.

Approach to the media, technologies and phases of post-production with the aim of acquiring the necessary skills to select suppliers, budget, negotiate, contract and coordinate the different processes (editing, grading, VFX, motion graphics, musical production and post-production of sound). 3D creation, animated film production and the video game industry.

Essential keys to marketing and their practical application in the audiovisual industry. Digital environments, their business models and the functional characteristics of social media. Conceptual approach to Big Data and Business Intelligence. Transmedia communication and expanded narratives through their strategies and case studies.

Characteristics of the distribution company and the operations of the national and international audiovisual markets. Analysis of sales contracts, presentation strategies and festival logistics according to their scope and category. Tour of the online distribution platforms in which students can operate to register their pieces in festivals.

Specific classes aimed at providing students with contact with the most immediate industry through monographic classes that allow them to explore new professional horizons. Meetings with relevant figures from the industry that provide students with a chronology of their incorporation into the workplace through specific cases recognized nationally and internationally.

Tutoring and advice on projects by teachers throughout the year master. The purpose of the tutorials is to conclude the achievement of a film project in the format of a fiction short film. They are complemented by pitch formats and presentation of dossiers common to all students who are part of the training program. Masters of Cinema and that allow, in a transversal way, to monitor the progress of projects and teamwork.

Development as head of department of a fiction short film that constitutes the main and mandatory project of the program. Masters TAI. Participation in assistantships and complementary positions in projects of the rest of the students.