Map of studies
Master in Film and TV Editing
- ECTS – European Credit Transfer System
- OB – Mandatory
- FB – Basic training
- FBC – Common Basic Training
- FBR – Basic Branch Training
- PE – External Practices
- RAC – Credit Recognition
- TFG – Final Degree Project
Contemporary Film Narratives
Transversal content (common for several masters) that seeks an approach to the most current trends in cinematography from a narrative and aesthetic perspective.
Thorough knowledge of the working environment in Avid. Ordering and categorization of files in Browser, Codecs, conversions, Timeline, processes and exports.
Assembly typologies. Rhythm. Temporality. Continuity and ellipsis. The construction of the speech. The narrative structure and expectations in cinema. The choice of point of view. The serial narrative.
Advertising and its genres. Fragmentation and advertising ellipsis. The aesthetics of rhythm. Temporary hyperbolizations. Creation of audiovisual content for interactive media.
Characteristics of the creative documentary and its specific creative processes. Documentary modalities. Creative processes in the editing room.
Technology and work environment in After Eﬀects
Organization and philosophy of work in After Effects. Layers, key frames and tools. Exports, imports and workflows in Adobe environment.
Sign Design and Animation
Principles of graphic design. Generation of labels, movement dynamics and animations. Generation of funds. Credit titles.
Graphic creation and animation
Generation of elements and graphic pieces in 2D. Animation and embedding on real image. Visual creativity.
Visual effects in After Effects
Tools for VFX in After Effects. Inlays, rotoscoping, trajectories and basic modifications of the image.
GRADING AND COLOR
Principles of photography. Exposure, shutter, color temperature, contrast ratio, depth of field and creative use of lenses.
Color Psychology and Color Management
Theory of color. Chromatic tables and synthesis of color formation. Design of the chromatic palette and its emotive use. Color depth. Dynamic range. Color spaces.
Technology and Processes
Work environments in DaVinci and Mistika. Flows, processes and tools. Color grading from files with different compression levels. Color grading of RAW files. Check Panel.
Regulations, Curves and LUTs
Modification of looks from preset curves and LUTs. Standards of style and broadcast according to channels, platforms or types of projection.
Grading and Color Correction with DaVinci and Mistika
Primary and secondary fixes. Reframes. Masking and motion effects. Skin treatment. Atmospheres and textures.
Creation of Advertising Looks
advertising genres. The aesthetics of color and contrast ratio in fashion advertising. Aestheticism and advertising formalism.
Technology and Working Environment in Pro Tools
Organization and philosophy of work in Pro Tools. Tools, processes, file types, exports and workflows.
Sound Aesthetics and Narrative
Conceptual approach to the expressiveness and narrative of sound. Building a soundtrack.
Import of bands, dialog editing and placement of sound effects.
Preparation of bands for mixing. Dynamics and modulation effects. Mixing techniques.
Tutoring and monitoring in planning the editing and grading of the fiction project.
Non-fiction project: commercial or documentary
Tutoring and monitoring in planning the assembly of the non-fiction project (advertising or documentary).
Presentation and pre-selection of the projects to be carried out during the academic year.
Project Dossier Presentation
Presentation of the dossier by the team leaders of each project.
Fiction Short Film
Development of a fiction short film that constitutes the main and obligatory project of the Masters TAI.
nonfiction short film
To choose between (both projects are linked to one of the optional modules provided in the master):
- Fashion film or music video: development of an advertising piece in any of its variants.
- Creative documentary or experimental short film: development of a non-fiction piece in any of its variants.